The Tibetan Voice

The Tibetan Voice is now manifesting more and more in the West as a means of creating resonance that effect both the Celestial and the Gaia energies.   A number of Westerners, including myself, have now developed the Tibetan Deep Voice and are sharing it with others here in the West.  Women, as well as men, have been able to receive this sound through being in the sounds field.   I initially received the Tibetan Voice from the Gyume Monks by being  in their field.  This occurred after I recorded the Monks for the first time in the West during their historic visit in 1986.  I went home to listen to the recording of the Monks in my crystal grid and  fell asleep.  The next morning I awoke with the ability to create their sound.  It is an example of what I call "Harmonic Transmission"–in which the sacred knowledge and techniques of masters are transferred simply by their presence.

The Tibetan Voice, while extraordinary, is not something which can merely be taught through technique.  Many different past and present lifetime resonance are required for it to be received.  It is not for everyone.    However, here in the West, is the emergence of a new type of vocal harmonics, which nearly everyone can learn to create.  The effects of these harmonics is quite remarkable.  Within the last decade more and more people are experiencing the power and transformational abilities of these sounds.  We will discuss these "Nuevo European Vocal Harmonics" in a future post.

I hope I have not confused you too much yet–this is a very complicated subject and yet one which is extremely important to begin to understand.  It is also one of the reasons why I have difficulty with certain people who claim to work with the fundamental tone of a person’s voice.  Since the harmonics really create the uniqueness of the individuals voice, I believe they are as important (if not more important) than the fundamental tone and should be examined as well.

I have shared with you in the past about the importance of intentionality in the sound making process.  For the most part, the Mongolians and Tuvans were not aware of the sacred power of their vocal harmonics.   Or if they were, they were not discussing this with anyone.  Once again, it was purely a folk music.

The monks are actually singing an undertone–a sound that is 1/2 the frequency of the fundamental.  While this is said to be scientifically impossible, it is a reality.?